13-18 years
Join us for a viewing and facilitated discussion of the award-winning documentary series by California Newsreel. RACE—The Power of an Illusion is a provocative three-hour series that questions the very idea of race as biology. Scientists tell us that believing in biological races is no more sound than believing the sun revolves around the earth. So if race is a biological myth, where did the idea come from?
Join us for a viewing and facilitated discussion of the award-winning documentary series by California Newsreel. RACE—The Power of an Illusion is a provocative three-hour series that questions the very idea of race as biology. Scientists tell us that believing in biological races is no more sound than believing the sun revolves around the earth. So if race is a biological myth, where did the idea come from? And why should it matter today?
HMong music is the last surviving musical language in the world—it is able to mimic HMong speech by using musical intervals, ornamentation, and chords to mimic linguistic tones, consonants, and vowels—allowing musicians to literally speak with music. However, there have not been many opportunities for this unique trait of HMong music to shine. HMong American refugees first arrived to the United States in 1975, after having supported American CIA forces in Laos during the Vietnam War.
HMong music is the last surviving musical language in the world—it is able to mimic HMong speech by using musical intervals, ornamentation, and chords to mimic linguistic tones, consonants, and vowels—allowing musicians to literally speak with music. However, there have not been many opportunities for this unique trait of HMong music to shine. HMong American refugees first arrived to the United States in 1975, after having supported American CIA forces in Laos during the Vietnam War.
HMong music is the last surviving musical language in the world—it is able to mimic HMong speech by using musical intervals, ornamentation, and chords to mimic linguistic tones, consonants, and vowels—allowing musicians to literally speak with music. However, there have not been many opportunities for this unique trait of HMong music to shine. HMong American refugees first arrived to the United States in 1975, after having supported American CIA forces in Laos during the Vietnam War.
Charles's workshop will help participants delve into crucial conversations across differences. And by doing so, participants will foster a deeper understanding of themselves. The learning objectives were designed to challenge participants to think, write, and share experiences they've had that contributed to their sense of belonging by giving participants a brave space to share their personal stories and challenging them to listen critically.
Charles's workshop will help participants delve into crucial conversations across differences. And by doing so, participants will foster a deeper understanding of themselves. The learning objectives were designed to challenge participants to think, write, and share experiences they've had that contributed to their sense of belonging by giving participants a brave space to share their personal stories and challenging them to listen critically.
Charles's workshop will help participants delve into crucial conversations across differences. And by doing so, participants will foster a deeper understanding of themselves. The learning objectives were designed to challenge participants to think, write, and share experiences they've had that contributed to their sense of belonging by giving participants a brave space to share their personal stories and challenging them to listen critically.
Registration required: Click here to register
Join National Heritage Fellow Karen Ann Hoffman of the Oneida Nation of Wisconsin for a conversation about Contemporary Native Art, Issues and (Mis-)Understandings. Warning—some topics may be triggering for some attendees.
Registration Required: Click here to register
Join National Heritage Fellow Karen Ann Hoffman of the Oneida Nation of Wisconsin for a conversation about Contemporary Native Art, Issues and (Mis-)Understandings. Warning—some topics may be triggering for some attendees.